73 - Maurice Cherry - Founder and Principal of Lunch (Obsessed Show)

73 - Maurice Cherry - Founder and Principal of Lunch (Obsessed Show)

Maurice Cherry is the founder and principal of Lunch in Atlanta, Georgia. Check him out on his website, Twitter @mauricecherry, Tumbler and Linkedin.

Maurice began coding at an early age and with every new technology he refined his skill. Captain of the math team turned designer, his passion for design grew in college when he began freelancing web design for miscellaneous clients. After working for the State of Georgia and a few start-ups he decided it was time to create his own company, Lunch.

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Rearranging Deck Chairs on the Titanic (Working File)

Rearranging Deck Chairs on the Titanic (Working File)

This marks the beginning of a conversation that we’ll be continuing in the future: the relationship between design and politics. Maurice Cherry and Robyn Kanner join us to talk about whether or not design is inherently political, turning down jobs for ethical reasons, and practical ways we can have a positive impact on the world around us.

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Jimmy Etheredge with Accenture, Maurice Cherry with Lunch and Laura Flusche with Museum of Design Atlanta (Atlanta Business Radio / Business Radio X)

Jimmy Etheredge with Accenture, Maurice Cherry with Lunch and Laura Flusche with Museum of Design Atlanta (Atlanta Business Radio / Business Radio X)

Maurice Cherry is the founder and principal at Lunch, a multidisciplinary studio in Atlanta, GA that helps creative brands craft messages and tell stories for their targeted audiences, including fostering relationships with underrepresented communities. Past clients and collaborators include Vox Media, NIKE, Mediabistro, Site5, SitePoint, and The City of Atlanta.

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An Industry Inside of Every Industry (Working File)

An Industry Inside of Every Industry (Working File)

Our inaugural show is all about the state of the design community, design journalism, and what Working File should be. Chappell Ellison and Maurice Cherry join us for a conversation about the difference between design discourse in public and private spaces. We find out that Andy has high expectations for designers and discuss the nature of criticism across different creative industries. Is there a distinction between criticsm for consumers and criticism for creators? Is the internet even an appropriate medium for critical discourse?

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